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with jonathan horan/ october 2014
A series of five large paintings (72"x72") each representing a rhythm. Flowing, Staccato, Chaos, Lyrical, Stillness. Prints available.
The following installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They also are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
cycles with jonathan horan
philadelphia, october 2014
infant in womb
limited prints available
please inquire
cycles with jonathan horan
philadelphia 2014
cycles with jonathan horan
philadelphia 2014
limited prints available
please inquire
cycles with jonathan horan
philadelphia 2014
limited prints available
please inquire
cycles with jonathan horan
philadelphia 2014
limited prints available
please inquire
cycles with jonathan horan
philadelphia 2014
cycles with jonathan horan
philadelphia 2014
limited prints available
please inquire
with jenny macke/september 2017, philadelphia, pa
All installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
roots of tribe intimately connected
the strength and resilience of community - right through the heart of it
truth at our deepest core
with azul august 2017, earthdance, plainfield, MA
All installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
tearing away the layers
Marta, Amara and me in front of Azul blue
with dance medicine
ya'cov darling kahn/march 2017
All installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
with adam barley/january 2017
All installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
oil and glitter on birch board, 24 x 48 (private collection)
oil and glitter on birch board, 24 x 48 (private collection)
oil and glitter on birch board, 24 x 48 (private collection)
oil and glitter on birch board, 24 x 48 (sold)
w amara pagano, azul/september 2016
All installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
Installation - oil on board, candles, fabric, lights
oil on board, 48 x 48 (private collection)
Installation - oil on board, candles, fabric, lights
oil on board, 48 x 48 (private collection)
Installation - candles, mirror, fabric
oil on board, 48 x 48 (private collection)
Installation - oil on board, candles, fabric, lights
oil on board, 48 x 48
Installation- oil on board, flowers, rocks, water, candles, fabric, lights
Detail- flowers, rocks, water, candles, fabric, lights
oil on board, 48 x 48 (private collection)
Installation - oil on board, fabric, lights, candles, flower petals
Detail - fabric, lights, candles, flower petals
oil on board, 48 x 48 (private collection)
with erik iverson feb 2016
The following installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They also are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
w amara pagano/sept 2015
The following installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They also are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
w michael molten-skelton/nov. 2015
The following installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They also are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
glass, gel, fabric, ribbon, lights, fire
rock, plants, fire, lights, fabric, frames
rock, plants, fire, lights, fabric, frames
w adam barley/ may 2015
The following installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They also are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.
with kate sheila/ march 2015
The following installations are created with minimal time and very low budgets. Besides the paintings, which I create ahead of time, the supporting props are often found objects. In addition, curtains and fabrics from friends; bowls and plates from their kitchens; rocks and branches from the nearby river... Due to dance floor restrictions, the installations are erected in 1 hour or less. They also are set up for the first time - there is never a dress rehearsal. The unknown creative obstacles, I encounter every time, are often hair-raising yet are part of the overall solution. The visual uncertainty is part of the adventure.